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Peavey Electronics Corporation is a privately-owned American company which designs, develops, manufactures, and markets professional audio equipment. [2] Headquartered in Meridian, Mississippi , Peavey is one of the largest audio equipment manufacturers in the world.
Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.
Speaker enclosures are used in homes in stereo systems, home cinema systems, televisions, boom boxes and many other audio appliances. Small speaker enclosures are used in car stereo systems. Speaker cabinets are key components of a number of commercial applications, including sound reinforcement systems, movie theatre sound systems and ...
Acoustic lobing refers to the radiation pattern of a combination of two or more loudspeaker drivers at a certain frequency, as seen looking at the speaker from its side.In most multi-way speakers, it is at the crossover frequency that the effects of lobing are of greatest concern, since this determines how well the speaker preserves the tonality of the original recorded content.
Crest Audio was founded in the late 1970s by Jean-Pierre Prideaux in California. Dallas Music Industries (DMI) acquired Crest Audio in the 1980s and subsequently, Crest Audio was acquired by Peavey Electronics in 1999, [1] and has since been based in Meridian, Mississippi. The company has an international network of distributors. [2]
Amplifiers produced by Peavey Electronics. Pages in category "Peavey amplifiers" This category contains only the following page.
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
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