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AFI's 100 Years... 100 Heroes & Villains is a list of the one hundred greatest screen characters (fifty each in the hero and villain categories) as chosen by the American Film Institute in June 2003. It is part of the AFI 100 Years... series. The list was first presented in a CBS special hosted by Arnold Schwarzenegger.
72 Heroes is a 2011 Chinese historical drama film directed by Hong Kong film director Derek Chiu, better known as Sung Kee Chiu, based on the story of the 72 Martyrs who sacrificed their lives in the Second Guangzhou Uprising.
Today, WatchMojo brings us a video of the top 10 most heroic sacrifices in video game history. It's pretty compelling evidence for anyone who scoffs at the idea that video games are art; without ...
John Carpenter is known best for crafting one of the greatest villains of all time with Michael Myers, but he also created a memorable hero in "Big Trouble in Little China.". For this late 1980s ...
A swashbuckler film is characterised by swordfighting and adventurous heroic characters, known as swashbucklers. While morality is typically clear-cut, heroes and villains alike often, but not always, follow a code of honor. Some swashbuckler films have romantic elements, most frequently a damsel in distress. Both real and fictional historical ...
The Devil, Le Manoir du Diable Three minutes is all it took to scare the bejesus out of people in 1896. Granted, film for entertainment was a relatively new thing to the world at this stage, but ...
Martyrs are revered in Palestinian social networks, where content memorializing them and praising their heroism is prevalent. Martyrs are often honored by the creation of a fan page on social networks. Family members share pictures, participants express their grief, and eulogies are posted, generating a following of thousands.
Eroica (released in some territories as Heroism) is a 1958 Polish film by Andrzej Munk, and his second feature film after Man on the Tracks (1956). Eroica is composed of two separate stories, presenting satirical critiques of two aspects of the Polish character: acquisitive opportunism, and a romantic fascination for heroic martyrs.