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La stravaganza [literally 'Extravagance'] (The Eccentricity), Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713. The set was first published in 1716 in Amsterdam and was dedicated to Venetian nobleman Vettor Delfino, [ 1 ] who had been a violin student of Vivaldi's. [ 2 ]
La cetra (Vivaldi) Il cimento dell'armonia e dell'inventione; Concerto alla rustica; Concerto for Two Cellos, RV 531; Concerto for Two Trumpets (Vivaldi) Concerto in C major, RV 558; Concerto in C major, RV 559
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
2009: Pyrotechnics: Vivaldi Arias (Virgin Classics), feat. Vivica Genaux; 2010: Vivaldi: Ercole Sul Termodonte (Virgin Classics), directed by Fabio Biondi; 2011: Vivaldi: La Stravaganza (Edition by John Walsh, London, 1728) (Virgin Classics) 2015: Vivaldi: I Concerti Dell' Addio (The Farewell Concertos) (Glossa Music), directed by Fabio Biondi [3]
pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...
Vivaldi, Antonio (1999), Eleanor Selfridge-Field; Edmund Correia (eds.), L'Estro armonico Op. 3, in Full Score – Concertos for Violins and String Orchestra, Dover Publications, ISBN 9780486406312 Wilk, Piotr (2012), "On the question of the Baroque instrumental concerto typology" (PDF) , Musica Iagellonica , 6 , translated by Paweł Wróbel ...
Pages in category "Compositions by Antonio Vivaldi" The following 17 pages are in this category, out of 17 total. ... Stabat Mater (Vivaldi) La stravaganza; T. Twelve ...
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars.