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The PA announcement at the end of the episode is a reference to the battle of Solma-Ri, also known as "Gloucesters Hill" or the battle of the Imjin River. Mention of this battle places the date this episode is set as being between April 22nd and 25th, 1951, with the high casualty figure indicating a most probable date of either the 24th or 25th ...
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H. M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). [1]
"The Interview" was the twenty-fifth and final episode of the fourth season of the TV series M*A*S*H. The 97th episode overall, it first aired in the United States on February 24, 1976. The 97th episode overall, it first aired in the United States on February 24, 1976.
It was the fourth episode of the fourth season and aired on October 3, 1975 (first-run) and April 6, 1976 (repeat). It was written by Glen and Les Charles and directed by Alan Alda . Guest cast is Richard Masur as Lt. "Digger" Detmuller, Eldon Quick as Captain Pratt, Sherry Steffens as Nurse Able and Kellye Nakahara as Nurse Baker.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
On Monday, Jan. 1, M*A*S*H fans are invited to ring in the new year with M*A*S*H: The Comedy That Changed Television, a two-hour special airing on Fox and featuring new interviews with series vets ...
The reality of a dance career is that it’s tough. New Hulu reality series “Playground" doesn't shy away from that. The show is set at the Playground dance studio in Los Angeles, home to famous ...
In Watching M*A*S*H, Watching America, a sociological examination of M*A*S*H as an illustration of shifting American values in the 1970s and early 1980s, James H. Wittebols cites Sherman's attempted assault on Margaret in this episode as an example of the program's questionable treatment of women in its early years. [1]
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