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Ziran has been interpreted and reinterpreted in a numerous ways over time. Most commonly, it has been seen as the greatest spiritual concept that was followed by lesser concepts of the Dao, Heaven, Earth, and Man in turn, based on the traditional translation and interpretation of Chapter 25 of the Tao Te Ching.
Chinese philosophy never developed the concept of human rights, so that classical Chinese lacked words for them. In 1864, W.A.P. Martin had to invent the word quanli ( Chinese : 權利 ) to translate the Western concept of "rights" in the process of translating Henry Wheaton 's Elements of International Law into classical Chinese.
Chinese philosopher Zou Yan (鄒衍; 305 – 240 BCE) is considered the founder of the school, [2] and is the best known as the representative thinker of the Yin and Yang School (or School of Naturalists) during the Hundred Schools of Thought era in Chinese philosophy. Zou Yan was a noted scholar of the Jixia Academy in the state of Qi.
I Ching (Classic of Change or Book of Changes), generally held to be the earliest of the classics, shows a metaphysical vision which combines divinatory art with numerological technique and ethical insight; philosophy of change sees cosmos as interaction between the two energies yin and yang; universe always shows organismic unity and dynamism.
In response, Ouyang Min argues that philosophy proper is a Western cultural practice and essentially different from zhexue, which is what the Chinese have, [148] even though zhexue (originally tetsugaku) is actually a neologism coined in 1873 by Nishi Amane for describing Western philosophy as opposed to traditional Asian thought.
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The main concepts of this philosophy include ren (humaneness), yi (righteousness), li (propriety/etiquette), zhong , and xiao (filial piety), along with strict adherence to social roles. This is illustrated through the five main relationships Confucius interpreted to be the core of society: ruler-subject, father-son, husband-wife, elder brother ...
The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices. The six ...
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