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Known informally as "Charlie on the MTA", the song's lyrics tell an absurd tale of a man named Charlie trapped on Boston's subway system, which was then known as the Metropolitan Transit Authority (MTA). The song was originally recorded as a mayoral campaign song for Progressive Party candidate Walter A. O'Brien.
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
"Metro Balderas", as it is generally known, or for its original name, "Estación del metro Balderas" ("Balderas subway station"), is a song by Mexican rock musician Rodrigo "Rockdrigo" González, which refers to a man looking for a woman who got lost in the crowd at Mexico City Metro station Metro Balderas.
"Don't Sleep in the Subway" is a song written by Tony Hatch and Jackie Trent and recorded by the British singer Petula Clark, who released it as a single in April 1967. [ 2 ] It received a 1968 Grammy award nomination for best contemporary song, losing to " Up, Up and Away " by The 5th Dimension .
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. [ 1 ] In 1976, the 1941 recording by Duke Ellington on Victor Records was inducted into the Grammy Hall of Fame .
Some of the lyrics, particularly those in the bridge before the final chorus, use the eponymous subway station as a metaphor for time: "Time is a train / Makes the future the past / Leaves you standing in the station / Your face pressed up against the glass".
The accompanying music video for "I Knew I Loved You" was filmed by director Kevin Bray in August 1999 on a New York City Subway set that had previously been used on the sitcom Seinfeld. [8] It features Hayes playing out a romantic plot on a subway train, with a female passenger (played by American actress Kirsten Dunst) as the object of his ...
The melody was adapted in "Charlie on the MTA", created in 1948, as a campaign song for Walter A. O'Brien about a man unable to alight from a Boston subway train because, rather than change all the turnstiles, the M.T.A. added an exit fare—Charlie did not have the extra nickel to get off the train.