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The author "completes" his precursor's work, retaining its terms but meaning them in a new sense, "as though the precursor had failed to go far enough". The word tessera refers to a fragment that, together with other fragments, reconstitutes the whole; Bloom is referring to ancient mystery cults, who would use tessera as tokens of recognition. [3]
Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism, and also has a grounding in modern principles of cognitive linguistics.
Self-insertion is a literary device in which the author writes themselves into the story under the guise of, or from the perspective of, a fictional character. [1] The character, overtly or otherwise, behaves like, has the personality of, and may even be described as physically resembling the author of the work.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Psychobabble (a portmanteau of "psychology" or "psychoanalysis" and "babble") is a derogatory name for therapy speech or writing that uses psychological jargon, buzzwords, and esoteric language to create an impression of truth or plausibility.
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Frankenstein was first published in 1818, long before the term was introduced into the Oxford Dictionary. Charles Baudelaire's collection of poems Les Fleurs du mal contains a poem entitled "L'Albatros" (1857) about men on ships who catch the albatrosses for sport. In the final stanza, he goes on to compare the poets to the birds — exiled ...