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The Young Man with an Apple is an oil on poplar painting by the Italian High Renaissance painter Raphael, executed c. 1505. It is housed in the Uffizi Gallery in Florence.Most probably made for the della Rovere/Montefeltro family in Urbino, it is often thought to be the portrait of Francesco Maria I della Rovere, grandson of Federico da Montefeltro and future Duke of Urbino through an adoption ...
In 1970, Norman Rockwell created a playful homage to The Son of Man as a 330 by 440 mm (13 by 17.5 in) oil painting entitled Mr. Apple, [7] in which a man's head is replaced, rather than hidden, by a red apple. The painting plays an important role in the 1999 version of The Thomas Crown Affair. [8]
Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Portrait of a Young Man, unknown master, 80.5 × 63.5 cm, private collection Berlin. [citation needed] Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since ...
One of three portraits Sher-Gil completed of Taslitzky, [1] Young Man with Apples was exhibited at the XII Salon des Tuileries in 1934. [2] [3] In April 1934, she wrote to her friend Denise Proutaux that she was allowed to exhibit five paintings at the Salon, and being the last chance to, as her return to India was planned for later that year, she hoped to send the portrait of Boris with ...
Art writers noted several elements of the painting as dominant, either visually or thematically. Moir, for example, notes the key role that the contrast between light and shadow plays in the composition: a window placed high on the left allows a ray of light to penetrate the room, illuminating, as it slides over the wall, the boy, the lush fruit basket, the shirt sleeve, the sensual bare ...
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The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.