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The Othello paintings depict a sequence of figural images with oil and acrylic on canvases and paperboards ranging in size from 30×40 inches (102×76 cm) to 120×216 inches (300×550 cm). [2] The overtones are often conveyed with wide-rugged brushstrokes of black against a red background with areas of orange and yellow, and with figures and ...
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No ads or images. Othello Navigator Archived 15 May 2016 at the Wayback Machine—Includes the annotated text, a search engine, and scene summaries. Cinthio's Tale—A 19th-century English translation of Shakespeare's primary source. Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text.
By the end of the 19th century portraits and statues of Shakespeare were appearing in numerous contexts, and his stereotyped features were being used in advertisements, cartoons, shops, pub signs and buildings. Such images proliferated in the 20th century. In Britain Shakespeare's Head and The Shakespeare Arms became popular names for pubs ...
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
image already exists as File:William Shakespeare by John Taylor.jpg: 15:57, 31 May 2023: 2,400 × 3,059 (1.88 MB) CactiStaccingCrane: Higher resolution pic, but more importantly important subtle details about the portrait is recovered. Original source: File:William Shakespeare by John Taylor.jpg. I overwrited on this file because everyone else ...
The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
Joshua Reynolds' Puck (1789), painted for Boydell's Shakespeare Gallery, is modelled after Parmigianino's Madonna with St. Zachary, the Magdalen, and St. John [1]. The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting.