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The opening movement is a duet of soprano and tenor, "Barmherziges Herze der ewigen Liebe" (Compassionate heart of eternal love). [2] It is in two ways connected to the chorale which closes the work. [2] The melody is played line by line as a cantus firmus by the oboe, embellished and in a dancing 6/4 time instead of 4/4. [6]
Von ewiger Liebe ("For Eternal Love") Die Mainacht ... consists of 10 bars of a single line melody with no chords, and the text; ms dated Sep. 12, 1868, ...
O ewiges Feuer, o Ursprung der Liebe (O eternal fire, o source of love), [1] BWV 34 (BWV 34.1), is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 34a, beginning with the same line. Bach led the first performance on 1 June 1727.
O ewiges Feuer, o Ursprung der Liebe (O eternal fire, o source of love), BWV 34.2 (formerly BWV 34a) is an incomplete wedding cantata composed by Johann Sebastian Bach, of which only the complete libretto and some parts (movements 2, 3 and 6) have survived.
Sehet, welch eine Liebe hat uns der Vater erzeiget (Behold, what a love has the Father shown to us), [1] BWV 64, is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata in Leipzig in 1723 for the third day of Christmas , which is also the Feast of John the Evangelist , and first performed it on 27 December 1723.
Anja Harteros (born 23 July 1972) is a German soprano.Since winning the 1999 Cardiff Singer of the World competition she has been particularly associated with the Bavarian State Opera and enjoyed an international career.
"Ach, wie ist's möglich dann" also known as "Treue Liebe" (True/Loyal Love), and “How Can I Leave Thee” is a German now-traditional song.Friedrich Wilhelm Kücken (1810–1882), a German composer and conductor, claimed to have composed the tune, and that it was later modified "probably by Silcher" ("wahrscheinlich von Silcher her") and given the general name Thüringer Volkslied ...
The first example of the text painting in Schicksalslied occurs in measure 41, with the "luminous" harmonies as the choir sings "Glänzende Götterlüfte". Choral text painting. The orchestra returns to prominence at measure 52 with harplike accompaniment as the chorus presents a new melody to the line Wie die Finger der Künstlerin Heilige Saiten.