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Kerning contrasted with tracking (letter-spacing): with spacing the "kerning perception" is lost. While tracking adjusts the space between characters evenly, regardless of the characters, kerning adjusts the space based on character pairs. There is strong kerning between the "V" and the "A", and no kerning between the "S" and the "T".
Letter spacing, character spacing or tracking is an optically consistent typographical adjustment to the space between letters to change the visual density of a line or block of text. Letter spacing is distinct from kerning , which adjusts the spacing of particular pairs of adjacent characters such as "7."
Typography is the art and technique of setting written subject matter in type using a combination of typeface styles, point sizes, line lengths, line leading, character spacing, and word spacing to produce typeset artwork in physical or digital form. The same block of text set with 50% leading: Typography is the art and technique of setting written subject matter in type using a combination of ...
Centered text is considered less readable for a body of text made up of multiple lines because the ragged starting edges make it difficult for the reader to track from one line to the next. Centered text can also be commonly found on signs, flyers, and similar documents where grabbing the attention of the reader is the main focus, or visual ...
Typography utilized to characterize text: Typography is intended to reveal the character of the text. Through the use of typography, a body of text can instantaneously reveal the mood the author intends to convey to its readers. The message that a body of text conveys has a direct relationship with the typeface that is chosen.
During the late metal type period, many fonts (particularly in American typefounding) were issued to "common line". [12] This meant that they were made to standardised proportions, so that fonts of different typefaces could be mixed with no difficulty.
The principal line terms in typography. For broader context, see Typeface anatomy. Anatomy of a Devanagari typeface. In European and West Asian typography and penmanship, the baseline is the line upon which most letters sit and below which descenders extend.
Compare the use of Kashida in Persian typography. Glyphs that are small (such as a period) or round (such as the letter "o") at the end of a line can be extended beyond the end of the line to create a more even line at the edge of the text. This is called protrusion, margin kerning, or hanging punctuation.