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Older Minitor pagers (both the Minitor I and Minitor II series) have tone reeds or filters that are tuned to a specific audible tone frequency, and must physically be replaced if alert tones are changed. For two-tone sequential paging, there are two reeds, the first tone passes through the first reed, and the second tone passes through the ...
The most common set of supported tones is a set of 39 tones including all tones with Motorola PL codes, except for the tones 8Z, 9Z, and 0Z (zero-Z). [6] The lowest series has adjacent tones that are roughly in the harmonic ratio of 2 0.05 to 1 (≈1.035265), while the other two series have adjacent tones roughly in the ratio of 10 0.015 to 1 ...
A pager, also known as a beeper or bleeper, [1] is a wireless telecommunications device that receives and displays alphanumeric or voice messages. One-way pagers can only receive messages, while response pagers and two-way pagers can also acknowledge, reply to, and originate messages using an internal transmitter.
One common type of CCIR selcall used in VHF and UHF FM two-way radio communications, is a 5-tone selective calling system mainly found in some European countries and used by the Swedish Police and the Turkish Police. The tone duration of a 5 tone CCIR selcall is 100 milliseconds (± 10 ms) and the tones are transmitted sequentially.
Motorola’s Pageboy II was launched in 1975 for the United States and 1976 for Europe in various types. Pb II 5-tone only 68–88 MHz / 146–174 MHz (US and Eur). Pb II tone only for 5-tone 80,6–88 MHz / 146–174 MHz (US). Pb II tone & voice radio for 2-tone signalling systems 68–88 MHz / 146–174 MHz (US).
An update of RSS is CPS, a Windows-based version of the package used for some of Motorola's newer radio models. Radios are connected to PCs via the serial port, [2] and proprietary programming cables. The use of genuine Motorola OEM programming cables is strongly suggested, as aftermarket brands are not as reliable and could lead to radio damage.
Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
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