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They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." [1] The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two ...
"Arriba en la Cordillera" (translanted: "Up in the Mountain Range") is a song by the Chilean singer-songwriter Patricio Manns released as single in 1965 and included in the 1966 studio album Entre Mar y Cordillera. It reached #1 on the Chilean charts and was chosen as the most popular song at Huaso de Olmué Festival in 2009.
French sheet music Italian sheet music. The Swiss Psalm was composed in 1841 by Alberich Zwyssig (1808–1854). Zwyssig used a tune he had composed in 1835 and slightly altered the words of a poem written in 1840 by Leonhard Widmer (1809–1867). [3]
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The sheet music specifies two guitars however, several of the duets can be performed by flute and guitar and versions have been transcribed for harmonica for five of the pieces, namely Aubade, Arioso in Blue, Rimse, Portrait of Miss. L and Velvet Waltz, although the composer states that these pieces can be played in any order with any ...
On 24 February, a sequence that was titled "Wine Glasses" was overdubbed onto part 1 of the song, titled after how the band used wine glasses to record it. The sequence was recorded on 5 January 1971, originally intended to be a part of a series of musical experiments the band conducted titled "Nothings".
The Second Hymn is composed in a different key from the First Hymn. The central note (mese) of the first section is D (in conventional notation), rather than C, making it the (Greek) Lydian mode. [20] Below the mese are the notes A and B ♭, and above it are E, E ♭, F, and G. The notes used in the second section are different from the first ...
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs , which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891.