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Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production. [1] [2] [3]
TASCAM is the professional audio division of TEAC Corporation, headquartered in Santa Fe Springs, California.TASCAM established the Home Recording phenomenon by creating the "Project Studio" and is credited as the inventor of the Portastudio, the first cassette-based multi-track home studio recorders.
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
The Yamaha MT-100 Multi-track Cassette Recorder is an analog tape deck developed to record artists in the late 1980s. It was marketed just before the advent of Digital Audio Tape . It allowed the variable speed recording of 4 tracks of audio that could be mixed, merged and re-recorded onto standard cassette tapes .
The DA-88 was a digital multitrack recording device introduced by the TASCAM division of the TEAC Corporation in 1993. This modular, digital multitrack device uses tape as the recording medium and could record up to eight tracks simultaneously. It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [1]
One of the company's models was the Revox A77 recorder, which was introduced in 1967. Studer designed and produced multitrack recorders. Studer's first multi-track machine, the model J37, was released in 1964. It recorded 4 tracks on one inch tape. A pair of J37s were used by The Beatles to record Sgt. Pepper's Lonely Hearts Club Band in 1967. [2]
The JH-24 Series of Multitrack Tape Recorders was produced from 1980 to 1988 and was the successor to MCI's JH-16 Series. With the JH-24, MCI kept the JH-114 series transport and completely redesigned the audio electronics by implementing a transformless design utilizing differential amplification for the line inputs, line outputs, and head ...
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