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A stasis / ˈ s t eɪ s ɪ s / or stasis field, in science fiction, is a confined area of space in which time has been stopped or the contents have been rendered motionless. Overview [ edit ]
Stasis (from Greek στάσις "a standing still") may refer to: A state in stability theory , in which all forces are equal and opposing, therefore they cancel out each other Stasis (political history) , a period of civil war within an ancient Greek city-state
The chronotope has also been adopted for the analysis of classroom events and conversations, for example by Raymond Brown and Peter Renshaw in order to view "student participation in the classroom as a dynamic process constituted through the interaction of past experience, ongoing involvement, and yet-to-be-accomplished goals" (2006: 247–259 ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
A critical lens is a way of looking at a particular work of literature by focusing on style choices, plot devices, and character interactions and how they show a certain theme (the lens in question). It is a common literary analysis technique. [1]
The Structure of Literature is a 1954 book of literary criticism by Paul Goodman, the published version of his doctoral dissertation in the humanities.The book proposes a mode of formal literary analysis that Goodman calls "inductive formal analysis": Goodman defines a formal structure within an isolated literary work, finds how parts of the work interact with each other to form a whole, and ...
In the first example, Agatha knows what Anderton will freely choose to do when presented with specific facts so she provides them to him, and, in the second, she knows what will have happened to the Anderton's son based on specific scenarios throughout his life, in which she can see what he would have freely chosen to do, and what selections ...