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Scenic design, also known as stage design or set design, is the creation of scenery for theatrical productions including plays and musicals. The term can also be applied to film and television [ 1 ] productions, where it may be referred to as production design . [ 2 ]
A backdrop (or backcloth) [4] is a painted curtain that hangs in the back of the stage to indicate the scenery of the performance. Before the advent of motion pictures, theaters would have 6-8 stock painted backdrops on canvas for use in live theatrical performances.
The history of theatrical scenery is as old as the theatre itself, and just as obtuse and tradition bound. What we tend to think of as 'traditional scenery', i.e. two-dimensional canvas-covered 'flats' painted to resemble a three-dimensional surface or vista, is a relatively recent innovation and a significant departure from the more ancient forms of theatrical expression, which tended to rely ...
A flat (short for scenery flat) or coulisse is a flat piece of theatrical scenery which is painted and positioned on stage [1] so as to give the appearance of buildings or other background. Flats can be soft covered (covered with cloth such as muslin) or hard covered (covered with decorative plywood such as luan). Soft-covered flats have ...
Shops and storage areas: Depending on the space available a theatre may have its own storage areas for old scenic and costume elements as well as lighting and sound equipment. The theatre may also include its own lighting, scenic, costume and sound shops. In these shops each element of the show is constructed and prepared for each production.
One of the most important scenic transitions into the 20th century was from the often-used two-dimensional scenic backdrop to three-dimensional sets. Previously, as a two-dimensional environment, scenery did not provide an embracing, physical environment for the dramatic action happening on stage.
It often encircles or partially encloses the stage to form a background. The world "cyclorama" stems from the Greek words "kyklos", meaning circle, and "orama", meaning view. It was popularized in the German theater of the 19th century and continues in common usage today in theaters throughout the world.
Skene is the Greek word (meaning "tent") for the tent, and later building, at the back of the stage from which actors entered, and which often supported painted scenery. In the Hellenistic period it became an increasingly large and elaborate stone structure, often with three storeys.
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