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To facilitate digital recording on existing Hi8 video cassettes the helical scan video head drum spins 2.5× faster. For both NTSC and PAL Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8 magnetic tape cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions ...
HiFi AFM Stereo improved the original AFM audio format, making it stereo; it was also cheaper than digital PCM. Sony accepted HiFi AFM Stereo for its future mid-range models and relegated digital PCM audio to top of the line camcorders and VCRs. All Hi8 equipment can record and play the standard 8-mm video.
500 kB/s data transfer rate; EXB-8500c model features hardware data compression; 1992—EXB-8505 Half-height form factor; 500 kB/s data transfer rate (uncompressed) / 1.0 MB/s data transfer rate (assuming a 2:1 compression ratio) Up to 10.0 GB on one 112 m data cartridge (assuming 2:1 compression ratio) 1994—EXB-8505XL Half-height form factor
DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV, DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8, and Digital-S. DV has been used primarily for video ...
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
Audio data was stored in the DTRS (Digital Tape Recording System) format on Hi8 video cassettes, allowing up to 108 minutes of continuous recording on a single tape. [3] [4] In 1995, the TASCAM DA-88 won the Emmy award for technical excellence. [5] The affordability and digital format of the DA-88 led to sales of more than 60,000 units by 1999.
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