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The Iliad, or The Poem of Force" (French: L'Iliade ou le poème de la force) is a 24-page essay written in 1939 by Simone Weil. [ 1 ] [ 2 ] The essay is about Homer 's epic poem the Iliad and contains reflections on the conclusions one can draw from the epic regarding the nature of force in human affairs.
The phrase is derived from the sixth book of Homer's Iliad, in which it is used in a speech Glaucus delivers to Diomedes. During a battle between the Greeks and Trojans, Diomedes is impressed by the bravery of a mysterious young man and demands to know his identity. Glaucus replies: "Hippolochus begat me.
In the Iliad, occasional syntactic inconsistency may be an oral tradition effect—for example, Aphrodite is "laughter-loving" despite being painfully wounded by Diomedes (Book V, 375); and the divine representations may mix Mycenaean and Greek Dark Age (c. 1150–800 BC) mythologies, parallelling the hereditary basileis nobles (lower social ...
The Epic Cycle (Ancient Greek: Ἐπικὸς Κύκλος, romanized: Epikòs Kýklos) was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the Cypria, the Aethiopis, the so-called Little Iliad, the Iliupersis, the Nostoi, and the Telegony.
Aristeiai abound in Homer's Iliad, [6] the peak being Achilles' aristeia in Books 20–22 where he almost single-handedly routs the Trojan army and then goes on to kill its champion Hector. Achilles' "extended and phenomenal solo performances in battle" [7] are shown in the epic's "longest and most murderous" series of events.
Translators and scholars have translated the main works attributed to Homer, the Iliad and Odyssey, from the Homeric Greek into English, since the 16th and 17th centuries. Translations are ordered chronologically by date of first publication, with first lines provided to illustrate the style of the translation.
Rieu himself also translated the Iliad (1950), the Voyage of Argo (1959) by Apollonius of Rhodes, The Four Gospels (1952) and Virgil's Pastoral Poems (1949). Having become an Anglican in 1947, Rieu sat on the joint churches' committee that oversaw the production of the New English Bible (1961–70).
The narrative focus of the Iliad is not the strategy of the war, but the psychology of the warriors, assuming common knowledge of the Trojan War as a back-story. No scholars now hold that the specific events of the tale (many involving divine intervention) are historical fact; however, few claim that the story is entirely devoid of memories of ...