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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The English words "graven image" or "idol" in translations of the Bible may represent any of several Hebrew words. The word is pesel (פֶסֶל), translated in modern Hebrew as “sculpture” [13] indicating something carved or hewn. In subsequent passages, pesel was applied to images
In some cases, apparent religious images have been deliberately created from natural materials as part of an artistic endeavor or investigation into the phenomenon of perceptions of religious imagery. The "Pope Tart" was a hoax apparition created by Karen Stollznow in 2005 as part of an investigation into pareidolia for The Skeptic in Australia.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
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A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the Holy Land, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories ...