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Avalokiteśvara / Padmapani, Ajanta Caves, India In Chinese Buddhism and East Asia, Tangmi practices for the 18-armed form of Avalokiteśvara called Cundī are very popular. The popularity of Cundī is attested by the three extant translations of the Cundī Dhāraṇī Sūtra from Sanskrit to Chinese, made from the end of the seventh century to ...
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On Sept 26, 2006, 18 bronze images from Kurkihar were stolen from the Patna Museum. The thieves entered through a window by cutting the cutting bars. [15] The images were later recovered from a gang including a Vinod Yadav in Nalanda district, and Shahid Warsi of Kolkata. A Manjushri image was not recovered. [16]
Other frescos show the miracle of Sravasti, Ashtabhaya Avalokitesvara and the dream of Maya. [ 88 ] [ 89 ] Just as the stories illustrated in cave 1 emphasise kingship, those in cave 2 show many noble and powerful women in prominent roles, leading to suggestions that the patron was an unknown woman. [ 59 ]
[2] [4] The terracotta discoveries here include intricately and elegantly carved Buddha images as well as several Hindu artworks such as of Brahma. [5] These different terracotta artwork found here have been variously dated between the 6th- to 10th-century, and include the notable 7th-century painted image of Avalokitesvara Padmapani. [6]
This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Bodhisattva Padmapani, cave 1, Ajanta, India. You can see its nomination here .
In East Asian Buddhism, the Six Guanyin (Chinese 六觀音 (traditional) / 六观音 (), pinyin: Liù Guānyīn; Korean: 육관음, Yuk Gwaneum; Japanese: 六観音, Roku Kannon, Rokkannon; Vietnamese: Lục Quán Âm) is a grouping of six manifestations of the bodhisattva Avalokiteśvara, known as Guanyin (Guanshiyin) in Chinese and Kannon (Kanzeon) in Japanese.
Paintings of Avalokiteshvara or Padmapani and Vajrapani on either side of the Buddha, from cave 1 of the Ajanta Caves During the Kushan Empire , Gandhara art depicted Vajrapani's images in which he is shown primarily as a protector of Sakyamuni and not in the role of a bodhisattva.