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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3]
Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
Crucifix of Montserrat (in Spanish) c. 1497–1498: Santa Maria de Montserrat Abbey, Monistrol de Montserrat: Ivory Naked man I (in Italian) c. 1501–1504: Casa Buonarroti, Florence Terracotta height 49 cm Importuno di Michelangelo: c. 1504 Palazzo Vecchio, Florence Pietraforte Rothschild Bronzes [6] 1506–1508 Fitzwilliam Museum: Bronze
The iconic image of the Hand of God giving life to Adam The Sistine Chapel ceiling , painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance . Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam ...
On the left side of the painting God is depicted from behind, extending his arm towards a bush, alluding to the plant world. On the right side another image of God points towards the Sun with his right hand and toward the faint Moon with his left. His face expresses the force needed for the creation of the abode of living beings.
The statue of an Angel (1494–1495) was created by Michelangelo out of marble. Its height is 51.5 cm. Its height is 51.5 cm. It is situated in the Basilica of San Domenico , Bologna .
The Annunciation is an oil painting by the Italian master Michelangelo Merisi da Caravaggio, finished around 1608.It housed in the Musée des Beaux-Arts de Nancy.. The painting has been considerably damaged and retouched, and what remains of Caravaggio's brushwork is the angel, who bears a resemblance to the figure in John the Baptist at the Fountain.
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.