Search results
Results from the WOW.Com Content Network
Two hoboes, one carrying a bindle, walking along railroad tracks after being put off a train (c. 1880s –1930s). A hobo is a migrant worker in the United States. [1] [2] Hoboes, tramps, and bums are generally regarded as related, but distinct: a hobo travels and is willing to work; a tramp travels, but avoids work if possible; a bum neither travels nor works.
The most prevalent character clown in the American circus is the hobo, tramp or bum clown. There are subtle differences in the American character clown types. The primary differences among these clown types is attitude. According to American circus expert Hovey Burgess, [where?] they are: The Hobo: Migratory and finds work where he travels.
The most prevalent character clown in the American circus is the tramp or hobo clown with a thick five-o'clock shadow and wearing shabby, crumpled garments. When working in a traditional trio situation, the character clown will play "contre-auguste" (a second, less wild auguste), siding with either the white or red clown.
"A Tramp's Nest in Ludlow Street", How the Other Half Lives: Studies Among the Tenements of New York (1890), by Jacob Riis. Wanderers have existed since ancient times. The modern concept of the "tramp" emerges with the expansion of industrial towns in the early nineteenth century, with the consequent increase in migrant labor and pressure on housing.
A year later, the hobo character that had first been created on a drawing board in Kansas City came to life. Ragged homeless men were commonplace during the Depression, and on April 21, 1933, the tramp clown made his first appearance during a performance at the Chicago Coliseum. [9] In early 1934 a second child, Patrick, was born.
Hang a tramp art mirror to add depth and contrast in a small painted powder room or a minimalist entry hall, or add a tramp art box on a perfectly curated bookshelf for a note of rough-hewn texture.
Tramp art is a style of woodworking which emerged in America in the latter half of the 19th century. Some of tramp art's defining characteristics include chip or notch carving, the reclamation of cheap or available wood such as that from cigar boxes and shipping crates, the use of simple tools such as penknives, and the layering of materials into geometric shapes through glue or nails. [1]
The bindle is colloquially known as the blanket stick, particularly within the Northeastern hobo community. A hobo who carried a bindle was known as a bindlestiff. According to James Blish in his novel A Life for the Stars, a bindlestiff was specifically a hobo who had stolen another hobo's bindle, from the colloquium stiff, as in steal.