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Goblet with wolves attacking a horse, New England Glass Company, c. 1860–1875, blown, cobalt-blue cased glass, cut and engraved by Louis F. Vaupel. Glass-engraved figurative images as the primary decorative element on a particular object was less common in much of the Western world than before, with Bohemia the main exception.
This is a list of surviving ancient Roman gold glass portraits of the finer painted sort. The majority of surviving Roman gold glass pieces are the cut-off bottoms of drinking glasses made with unpainted gold leaf. These sometimes bear the names of individuals and were probably commemorative gifts on a special occasion such as a wedding ...
Roman gold glass beads were made by using an inner tube or rod to which the gold leaf was stuck. A larger tube was slid over that and the beads crimped off. Easily transported and very attractive, Roman gold glass beads have been found as far outside the Empire as the Wari-Bateshwar ruins in Bangladesh, and sites in China, Korea, Thailand and ...
The company produced both blown and pressed glass objects in a variety of colors, which had engraved, cut, etched, and gilded decorations. The firm was one of the first glass companies to use a steam engine to operate its cutting machines, and it built the only oven in the country that could manufacture red lead , a key ingredient in the making ...
Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. These are a pair of handblown Steuben gold Aurene glass candlesticks designed by Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private collection in Manhattan, New York.)
Aventurine glass was first invented in 17th or 18th century Venice. It is made to imitate aventurine quartz, it is a yellow glass filled with flecks of sparkling copper particles. Cameo glass is like cased glass, with two layers of different colors. The outer layer is then engraved with a diamond point or etched with acid to create a two-color ...
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