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The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
Les Dames à la licorne ("the ladies with the unicorn") is a 1974 novel by the French writer René Barjavel and Irish astrologer Olenka de Veer. It is set in Ireland in the late 19th century and tells the story of five sisters who are connected to a medieval legend.
The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1] The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
The Lady and the Unicorn is the 1970 solo album by British folk musician John Renbourn. On this release, Renbourn ventures into folk rock and medieval music territory. The first four tracks are arranged from the Add MS 29987 manuscript. The cover was taken from The Lady and the Unicorn tapestry.
The tapestries of The Lady and the Unicorn were woven for Antoine Le Viste, perhaps in Brussels, Tournai or Bruges. They can be the work of the painter Jean Perréal, known as Jehan of Paris. The mysterious Lady is Mary Tudor, third wife of Louis XII and sister of Henry VIII, who was the queen of France from August to December 1514.
1970: The Lady and the Unicorn (Transatlantic) 1971: Faro Annie (Transatlantic) 1973: Heads and Tales (Transatlantic) Compilation - one track only; 1976: The Guitar of John Renbourn (KPM Music) released 2005, a.k.a. The Guitar Artistry of John Renbourn; 1976: The Hermit (Transatlantic) 1977: A Maid in Bedlam (Transatlantic) 1979: The Black ...
The Lady and the Unicorn by Luca Longhi, portrait of Giulia Farnese. Luca Longhi (14 January 1507 – August 12, 1580) was an Italian painter of the late-Renaissance or Mannerist period, active in and near Ravenna, where he mainly produced religious paintings and portraits.
Two inventories of 1539 and 1543 list the tapestries of James V. [22] Some of these had belonged to James IV, though Gavin Douglas said that Regent Albany had cut up royal crimson and purple hangings to make clothes for his servants and pages, [23] but many were bought by James V, or were presents from Francis I of France on his marriage to Madeleine of Valois. [24]