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Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Old man in meditation, leaning on a book: About 1645 B219: 1: Cottages and farm buildings with a man sketching: About 1645 B228: 1: Cottages beside a canal: About 1645 B170: 1: Beggar woman leaning on a stick: 1646 B186: 5 ‘Ledikant’ or ‘Lit à la française’ 1646 B193: 2: Nude man seated before a curtain: 1646 B196: 2: Nude man seated ...
The Liszt Collection is an international project to preserve a portrayal of history through contemporary engravings, articles and books. The Liszt Collection mainly covers Europe and the United States as well as other locations in the rest of the world, such as Canada, Australia, certain African countries, and South America and Asia.
The Illustrated Bartsch (TIB) is an extensive compendium of European old master prints and commentary, published by the Abaris Books imprint of OPAL Publishing Corporation. It is based on the 21 volume Le Peintre-Graveur , by Adam von Bartsch , published in the early nineteenth century, which listed the prints and gave a concise description ...
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Self-portrait, 1785. Johann Adam Bernhard Ritter von Bartsch (17 August 1757 – 21 August 1821) was an Austrian scholar and artist. His catalogue of old master prints, Le Peintre Graveur is the foundation of print history, and he was himself a printmaker practicing engraving and etching.
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The "author" in the 1619 (or 1620) Frankfurt print is given as Johann Baptist Grossschedel von Aicha (Frankfurt 1620), and attributes some of the engravings to Tycho Brahe. The original engraver is given as Theodor de Bry (Flemish-born German engraver, 1528–98) as originally published in 1582. [ 1 ]
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