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A torn sheet of paper Mending the Tears, print by Winslow Homer (1888), Los Angeles County Museum of Art Tearing is the act of breaking apart a material by force, without the aid of a cutting tool . A tear in a piece of paper , fabric , or some other similar object may be the result of the intentional effort with one's bare hands, or be accidental.
Paper is easily torn, creased, or stained during handling. When exposed to light colors fade and the paper itself can discolor too. Works of art like watercolors and Japanese prints are especially vulnerable to fading. High relative humidity can cause paper to swell making it appear wavy or winkled.
The canvas print material is generally cotton or plastic based poly canvas, often used for the reproduction of photographic images. Digital printers capable of producing canvas prints range from small consumer printers owned by the artist or photographer themselves up to large format printing service printers capable of printing onto canvas ...
The Ken Burns effect is a type of panning and zooming effect used in film and video production from non-consecutive still images. The name derives from extensive use of the technique by American documentarian Ken Burns .
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While Canvas started out as a prosumer program in the general graphics/DTP market and continues to be the first (even only) tool of many professionals in such fields as graphics design, advertising, marketing, and DTP, it is less known in the consumer/prosumer market today than programs marketed by larger companies, such as Adobe Illustrator ...
Paper texture effects in calotype photography limit the ability of this early process to record low contrast details and textures. A calotype is a photographic negative produced on uncoated paper. (See Paper negative.) An important feature is that a relatively short exposure in a camera produces a latent image that is subsequently made visible ...
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...