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Sonnet 3 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is often referred to as a procreation sonnet that falls within the Fair Youth sequence. In the sonnet, the speaker is urging the man being addressed to preserve something of himself and something of the image he sees in the mirror by fathering a ...
This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. Determine whether a stanza is balanced or unbalanced. Help to reinforce the feeling being expressed: If the writer wants to express stubbornness, they may use tight structured rhyme schemes, whereas if one was writing about feeling lost ...
Many of the poems make generous use of imagery in Renaissance love sonnets, and uses a medieval setting in some to complement these references. [3] The rhyme scheme in Love Is Not All follows that of a Shakespearean sonnet, however, the division of lines indicate a Petrarchan sonnet. [4]
It is, however, aberrant in rhyme scheme and the number of stresses per line and is better described as having only a family resemblance to the sonnet. [157] The form was adapted by other poets later, including by Mikhail Lermontov in his narrative of "The Tambov Treasurer's Wife".
The Romantics played with these forms. Since the general topic and focus of the sonnet shifted in this era, it makes sense that the form would also change to mirror the content. A sonnet like Shelley’s Ozymandias uses neither a complete Shakespearian nor Petrarchan rhyme scheme. [64]
Apart from rhyme, and considering only the arrangement of ideas, and the placement of the volta, a number of sonnets maintain the two-part organization of the Italian sonnet. In that case the term "octave" and "sestet" are commonly used to refer to the sonnet's first eight lines followed by the remaining six lines.
The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets).
In the procreation sonnets, a reference to the myth of Narcissus is clearly intended by Shakespeare. [f] [g] [19] Moreover, the latter half of the Sonnets depicts less flesh in the form of seduction. In the dark lady poems, the seduction has already succeeded; its consequences [h] are overwhelmingly shame and anger. Desire in the young man is ...