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The white square in the center of the diagram depicts the low-frequency speaker. Each black square depicts a loudspeaker. The center speaker in the top line of the diagram is used for dialogue. The left and right speakers on either side of the center speaker are used to create stereo sound for music and other sound effects in the film.
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In the original movie theater implementation, the LFE was a separate channel fed to one or more subwoofers. Home replay systems, however, may not have a separate subwoofer, so modern home surround decoders and systems often include a bass management system that allows bass on any channel (main or LFE) to be fed only to the loudspeakers that can ...
A more expensive home cinema set-up might include a Blu-ray disc player, home theater PC (HTPC) computer or digital media receiver streaming devices with a 10-foot user interface, a high-definition video projector and projection screen with over 100-inch (8.3 ft; 2.5 m) diagonal screen size (or a large flatscreen HDTV), and a several-hundred ...
Seating layouts are typically similar to the theatre in the round, or proscenium (though the stage will not have a proscenium arch. In almost all cases the playing space is made of temporary staging and is elevated a few feet higher than the first rows of audience. Black box theatre: An unadorned space with no defined playing area. Often the ...
Typical layout of loudspeakers in a 5.1 home theater loudspeaker system. Block diagram of a 5.1 channel bass management system, with nominal filtering characteristics. There are notation differences between the pre-bass-managed signal and after it has passed through the bass manager. For example, when using 5.1 surround sound: [2] [3]
Comparison of 5.1 (left) and Auro 11.1 (right) The Auro 11.1 cinema sound format is an extension of the existing 5.1 surround sound format by incorporating height and overhead channels to allow for placement and panning of sound in the horizontal and vertical axis.
22.2 or Hamasaki 22.2 (named after Kimio Hamasaki, a senior research engineer at NHK Science & Technology Research Laboratories in Japan) is the surround sound component of Super Hi-Vision (a new television standard with 16 times the pixel resolution (7680×4320) of HDTV (1920x1080).
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