Search results
Results from the WOW.Com Content Network
Sometimes he used diminished chords, other times he used augmented chords. At times, Coltrane might use scales or licks in the passing keys instead of arpeggios. Coltrane employed these harmonic ideas during his "sheets of sound" stage in 1958. At other times, he would simply play rapid patterns of diminished-scales. [10]
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
These 'rumble strips' cause the car tires to play music and then make a singing road," said Lin Zhong, general manager of Beijing Luxin Dacheng landscape architecture company. "Our first idea is to get cars moving at a constant speed. Because only in that way can you enjoy good musical effect. We use it as a reminder of speed limit," added Lin ...
A Terraplane is a classic car, and the song uses car parts as metaphors for sex—"pump your gas", "rev all night", etc. The themes of these songs however differ; "Terraplane Blues" is about infidelity, while "Trampled Under Foot" is about giving in to sexual temptation.
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
Marsh feels that Roy Bittan's "elegaic" piano chords drive home the point that the time for wild rockers to settle down. [ 3 ] Los Angeles Times critic Richard Cromelin says that in the song Seger uses the continental divide as a metaphor for "confront[ing] questions of right and wrong," allowing him to "shake off his spiritual malaise."
For premium support please call: 800-290-4726 more ways to reach us
Pitchfork ranked the soundtrack at 15 on their 50 Best Movie Scores of All Time list, saying that "Old Black is featured in its purest form on the soundtrack for Jim Jarmusch’s hallucinatory western Dead Man. Young’s low, ominous notes are inseparable from Robby Müller’s striking black-and-white cinematography, lending an elemental pull ...