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Antigone is a 2019 Canadian drama film directed by Sophie Deraspe. An adaptation of the ancient Greek play Antigone by Sophocles, the film transposes the story to a modern-day refugee family in Montreal. The cast includes Nahéma Ricci as Antigone, with Rawad El-Zein, Hakim Brahimi, Rachida Oussaada, and Nour Belkhiria.
Antigone (1961), a film directed by Yorgos Javellas, starring Irene Papas. La tumba de Antígona (1967), philosophy work in poetry (razón poética) by María Zambrano (1904–1991) The Burial at Thebes (2004), by Seamus Heaney, adapted into a 2008 opera with music by Dominique Le Gendre; Antigone, play by Mac Wellman
Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles. It stars Irene Papas in the title role and was directed by Yorgos Javellas , who also adapted the play for the film.
Antigone at the Barbican was a 2015 filmed-for-TV version of a production at the Barbican directed by Ivo van Hove; the translation was by Anne Carson and the film starred Juliette Binoche as Antigone and Patrick O'Kane as Kreon. Other TV adaptations of Antigone have starred Irene Worth (1949) and Dorothy Tutin (1959), both broadcast by the BBC.
Early life (1778–1789) Marie-Thérése with her brother, Louis Joseph (by Élisabeth Vigée Le Brun, 1785) Marie-Thérèse Charlotte with her mother, Marie Antoinette, and her brother Louis Joseph, Dauphin of France, in the Petit Trianon's gardens (by Adolf Ulrik Wertmüller, 1785)
His adaptation of Antigone reimagined it in the language of realist cinema, omitting stylized elements of Greek stageplay such as the chorus, and attempting to convey the same information via setting and dialogue. [3] In 1964 he was a member of the jury at the 14th Berlin International Film Festival. [4]
Antigone was first performed in Paris at the Théâtre de l'Atelier on February 6, 1944, during the Nazi occupation.Produced under Nazi censorship, the play is purposefully ambiguous with regard to the rejection of authority (represented by Antigone) and the acceptance of it (represented by Creon).
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