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Trident Media Group, LLC is an American literary agency that represents authors across several categories including print publishing, eBooks, audiobooks, book translations, book-to-film/TV adaptation, stage adaptation and new media. [7] [8] [5] [9] [1] [10] [11] Trident Media Group is based out of New York City. The literary agency launched in ...
Below is a list of literary magazines and journals: periodicals devoted to book reviews, creative nonfiction, essays, poems, short fiction, and similar literary endeavors. [1] [2] Because the majority are from the United States, the country of origin is only listed for those outside the U.S.
ICM Partners was a talent and literary agency with offices in Los Angeles, New York City, Washington, D.C., and London. [1] The company represented clients in the fields of motion pictures, television, music, publishing, live performance, branded entertainment and new media.
The launch of a U.S. literary agency aims to replicate the ambitions of YMU’s U.K. books division, which was launched by Amanda Harris, global managing director for literary, and has grown ...
Image is an American quarterly literary journal that publishes art and writing engaging or grappling with Judeo-Christian faith. [1] The journal's byline is "Art, Faith, Mystery". Image features fiction, poetry, painting, sculpture, architecture, film, music and dance. The journal also sponsors the Glen Workshops, the Arts & Faith discussion ...
The youngest of three children born to Russian Jewish immigrants Harry and Esther Feldman, [6] Scott attended Thomas Jefferson High School in Brooklyn. [7] While still in his teens, he began working as assistant editorial director under Harry Shorten at MLJ Magazines, [8] for whom—as Scott Feldman—he also wrote a number of short fiction pieces, published in Pep Comics, [9] Zip Comics, [10 ...
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Salerno was born in Memphis, Tennessee in 1972 and was raised primarily by his mother as the family moved from Memphis to Washington, D.C. to San Diego to Los Angeles. He went to the movies all the time—“theaters were kind of like a babysitter”—and cites two films as fundamental that he saw as a child—the blockbuster The Empire Strikes Back and crime thriller, Thief, Michael Mann’s ...