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The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
The band described the album as "adult contemporary progressive death metal". [6] [7]Dave Donnelly of AllMusic described the music of Colors as being "an anomaly on the otherwise more conservative, pop-punk and hardcore oriented Victory Records label" noting that the group "play a progressive style of extreme metal" which incorporated a range of styles.
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Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
On the cover of the album, Swift is sporting blue ombré-d hair in front of a swirling background of colorful clouds. You can also really see Swift's desire to color the world of "Lover" in the ...
Colors is the soundtrack album to the Dennis Hopper-directed 1988 action crime film Colors. It was released on April 26, 1988 via Warner Bros. Records and mostly consisted of hip hop music . The album found success, peaking at number 31 on the Billboard 200 [ 3 ] and was certified gold on July 12, 1988, but it is best remembered for its title ...
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...
The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.