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The Doors. Jim Morrison – vocals, Moog synthesizer on "Strange Days" [4] Ray Manzarek – keyboards, marimba; Robby Krieger – guitar; John Densmore – drums; Additional musicians. Doug Lubahn – bass guitar (except on "Unhappy Girl", "Horse Latitudes" and "When the Music's Over") [44] Paul Beaver – Moog synthesizer programming on ...
"Moonlight Drive" is a song by American rock band the Doors, released in 1967 on their second album Strange Days. It was edited to a 2:16 length for the 45 rpm single B-side of " Love Me Two Times ". Though a conventional blues arrangement, the track's defining feature was its slightly off-beat rhythm, and Robby Krieger 's "bottleneck" or slide ...
This period was called the "dead horse" time, and it usually lasted a month or two. The seaman's ceremony was to celebrate having worked off the "dead horse" debt. As west-bound shipping from Europe usually reached the subtropics at about the time the "dead horse" was worked off, the latitude became associated with the ceremony. [2]
The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown. A VHS video of the concert was also released, containing 14 songs. The full version of the concert, entitled Live at the Bowl '68 , was released in October 2012 on CD, LP and Blu-ray Disc.
The horse latitudes are a geographical area north and south of the equator. Horse Latitudes may also refer to: The Horse Latitudes, a 1997 album by the Promise Ring; Horse Latitudes, a 2011 album by Jeffrey Foucault; Horse Latitudes, a poetry collection by Paul Muldoon "Horse Latitudes", a song on the album Strange Days by the Doors
6 Etymology - The Doors Song. 1 comment. 7 Horse latitudes cannot be the same as subtropical high. 1 comment. ... Talk: Horse latitudes. Add languages ...
The title was previously employed by Doors singer Jim Morrison for a song on the Strange Days album. Like many of Muldoon's recent collections, Horse Latitudes contains a long poem – in this case a sonnet sequence ostensibly describing battle scenes through time and place.
Writing for Allmusic, critic William Ruhlman wrote that "Singer/songwriter Jeffrey Foucault likes to play in a familiar, slow-moving country-folk style; this is a guy who has been to the desert on "A Horse with No Name," searching for a "Heart of Gold." The lyrical reflections he expresses so introspectively also tend to be spare and allusive...