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Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her. In Padang in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sultan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends.
An anecdote [1] [2] is "a story with a point", [3] such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait.
Jessie Coulson, in the introduction to a 1966 Penguin publication that includes the story, states of "A Nasty Story": Its theme is the terrible gulf between a man's idea of himself, his ideals, and his motives, and what they prove to be in the harsh light of reality.
The Cambridge Companion to Modern Russian Culture; section "Popular Culture" discusses Russian narrative jokes (anekdot) and chastushkas: ... further "wise fool" figures, such as brave Red Army commander Chapayev, hippies, Cheburashka and Cornet Rzhevsky have replaced Ivan the Fool "Eros and Pornography in Russian Culture."
Russian political jokes are a part of Russian humour and can be grouped into the major time periods: Imperial Russia, Soviet Union and post-Soviet Russia.In the Soviet period political jokes were a form of social protest, mocking and criticising leaders, the system and its ideology, myths and rites. [1]
In the legal sphere, anecdotal evidence, if it passes certain legal requirements and is admitted as testimony, is a common form of evidence used in a court of law.Often this form of anecdotal evidence is the only evidence presented at trial. [30]
Muhammad Ainun Nadjib (born 27 May 1953), best known as Emha Ainun Nadjib or Cak Nun/Mbah Nun, is an Indonesian poet, essayist, kyai, ulama, and humanist.Born in Jombang, East Java, Nadjib began writing poetry while living in Yogyakarta, publishing his first collection in 1976.
The Anecdote (Azerbaijani: Lətifə, Russian: Анекдот) is a full-length Azerbaijani film shot in Baku in 1989. Made in the tragic comedy genre, this film is about the dysfunctional Soviet management system in Azerbaijan SSR at the end of 1980s and about the decadence and corruption of the Soviet bureaucracy.