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Vocal cord nodules are bilaterally symmetrical benign white masses that form at the midpoint of the vocal folds. [1] Although diagnosis involves a physical examination of the head and neck, as well as perceptual voice measures, visualization of the vocal nodules via laryngeal endoscopy remains the primary diagnostic method.
Vocal registration refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds , and possessing the same quality.
Vocal fold injuries can have a number of causes including chronic overuse, chemical, thermal and mechanical trauma such as smoking, laryngeal cancer, and surgery. Other benign pathological phenomena like polyps, vocal fold nodules and edema will also introduce disordered phonation. [35]
This is an index of lists of people by cause of death, in alphabetical order of cause. Deaths due to the Chernobyl disaster (including list of victims) List of fatalities from aviation accidents
Laryngeal cancer may spread by: direct extension to adjacent structures, metastasis to regional cervical lymph nodes, or via the blood stream. The most common site of distant metastases is the lung. Laryngeal cancer occurred in 177,000 people in 2018, and resulted in 94,800 deaths (an increase from 76,000 deaths in 1990).
Straining the voice can lead the development of vocal nodules, a form of scarring on the vocal cords caused by strenuous or abusive voice practices. Professional singers on extended tours with tight schedules run a substantial risk of damaging their voices unless they make sure to rest the vocal cords and get enough sleep and proper diet. [11] [12]
The recurrent laryngeal nerves supply sensation to the larynx below the vocal cords, give cardiac branches to the deep cardiac plexus, and branch to the trachea, esophagus and the inferior constrictor muscles. The posterior cricoarytenoid muscles, the only muscles that can open the vocal folds, are innervated by this nerve.
Klaus Sperber (January 24, 1944 – August 6, 1983), known professionally as Klaus Nomi, was a German countertenor noted for his wide vocal range and an unusual, otherworldly stage persona. In the 1970s, Nomi immersed himself in the East Village art scene. He was known for his bizarre and visionary theatrical live performances, heavy make-up ...