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The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
The Queen Anne-styled house, built in 1888 for T. W. Shelton, was designed by Salem, Oregon architect Walter D. Pugh.It has undergone several modifications, including an enlargement in the 1910s for Robert McMurphey, and a remodel by Curtis and Eva Johnson in 1951 which restored its original turret.
George Franklin Barber (July 31, 1854 – February 17, 1915) was an American architect known for the house designs he marketed worldwide through mail-order catalogs. Barber was one of the most successful residential architects of the late Victorian period in the United States, [4] and his plans were used for houses in all 50 U.S. states, and in nations as far away as Japan and the Philippines. [4]
At the end of the 19th century and early into the 20th, a popular home style in the United States was the Queen Anne. The Queen Anne was clearly a transitional style, creating a bridge between the ...
The J. Hawkins Hart House, at 630 Center St. in Henderson, Kentucky, is a Queen Anne-style house which was built in 1892. It was listed on the National Register of Historic Places in 2011. [1] It is believed to have been built to a design by architect George Franklin Barber. [2] It was described in the Kaintuckean as
In 1964, it became the first historic building in Eureka to be restored. [17] Another of their Queen Anne style designs was built in Eureka in 1982 as the Carter House Inn. [18] It is a replica of the 1885 Murphy House in San Francisco, designed by Newsom and Newsom, which was lost in the 1906 San Francisco earthquake. [18]
The Thomas Gale House was declared a local Oak Park Landmark on November 18, 2002. [8] At first glance, the Thomas Gale House, along with the other bootleg houses, appear to devolve from the early promise of Wright's James Charnley House by including such historical styles as Colonial Revival, Queen Anne and Dutch Colonial. [5]
George Devey (1820–1886) and the better-known Norman Shaw (1831–1912) popularized the Queen Anne style of British architecture of the industrial age in the 1870s. Norman Shaw published a book of architectural sketches as early as 1858, and his evocative pen-and-ink drawings began to appear in trade journals and artistic magazines in the 1870s.
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