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Theatre in Iran (Persian: نمایش در ایران; 1965) is Bahram Beyzai's seminal research on theater in the Persian world from the ancient times to the twentieth century. It has been described as "the definitive work on the history of Persian theatre." [1]
Consequently, his film theatre and photography studios were destroyed by the public. Soon after, other cinema theatres in Tehran closed down. Movie theatres sprang up again in 1912 with the help of Ardeshir Khan, an Armenian-Iranian. [9] In 1904, Mirza Ebrahim Khan Sahhafbashi opened the first movie theater in Tehran. [12]
In modern times, Bahram Beyzai has made the most significant contribution in the historiography of Persian theatre with his seminal book, A Study on Iranian Theatre (1965). [25] Other works include Willem Floor's book, The History of Theater in Iran (2005), [26] and William O. Beeman's book, Iranian Performance Traditions (2011). [27]
The movie that really boost the economy of Iranian cinema and initiated a new genre was Ganj-e Qarun (Croesus Treasure), made in 1965 by Siamak Yasemi. Three years later Davoud Mollapour directed Shohare Ahoo Khanoom ( Madam Ahou's Husband ), which revolutionized Iranian Cinema by portraying women's role in the Iranian society at that time.
The movie was the first film with people talking in it as well as one of the first productions in a Muslim country to cast a female. The movie was screened in October 1933 in Tehran at two major movie theaters, Mayak Cinema and Sepah Cinema, and was surprisingly a major hit. Contrary to the expectations of cinema managers, who relied on foreign ...
Mirza Ebrahim Khan Sahhafbashi (Persian: میرزا ابراهیم خان صحافباشی; c. 1855–1922), sometimes written as Ebrahim Khan Sahhafbashi-e Tehrani, was a pioneering Iranian photographer, cinematographer, and the first commercial film exhibitor in Iran. [1]
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Hello Cinema (Persian: سلام سینما, romanized: Salaam Cinema) is a 1995 Iranian film directed by Mohsen Makhmalbaf. It was screened in the Un Certain Regard section at the 1995 Cannes Film Festival. [1] It was made for the celebration of the 100th anniversary of cinema.