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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Paintings of the Post-Impressionist style. Subcategories. This category has the following 7 subcategories, out of 7 total. ... Cypresses (Metropolitan Museum of Art ...
Landscape at Auvers in the Rain is an oil painting on canvas by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in July 1890, and completed just three days before his death, it depicts a landscape at Auvers-sur-Oise , where van Gogh spent the last 70 days of his life. [ 2 ]
[note 3] His grandfather, Vincent (1789–1874), was a prominent art dealer and a theology graduate from the University of Leiden in 1811. This Vincent had six sons, three of whom became art dealers, and may have been named after his great-uncle, a sculptor (1729–1802). [26] Van Gogh's mother came from a prosperous family in The Hague. [27]
Dadaism preceded Surrealism, where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dalí. Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock, who dripped paint onto the canvas, and Mark Rothko, who created large areas of flat colour.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
Nabis (art) (20 P) P. Post-impressionist paintings (7 C, 48 P) Pointillism (1 C, 31 P) V. Vincent van Gogh (6 C, 28 P) Pages in category "Post-Impressionism"
Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet. Fry used the term when he organized the 1910 exhibition Manet and Post-Impressionism.
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