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Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.
Orpheus was one of the handful of Greek heroes [25] to visit the underworld and return; his music and song had power even over Hades. The earliest known reference to this descent to the underworld is the painting by Polygnotus (5th century BC) described by Pausanias (2nd century AD), where no mention is made of Eurydice.
[2] In a way, Blanchot uses the myth to transcribe the creative process—Lynne Huffer suggests that “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's song.” [3] Blanchot believes that the myth itself is a fitting example of the necessity of obliqueness and indirection in approaching being ...
Ireland banned the film on its original release as it had previously done with Monty Python's Life of Brian, but later rated it 15 when it was released on video. In the United Kingdom the film was rated 18 when released in the cinema [1] and on its first release on video, but was re-rated 15 in 2000. In the United States the film is rated R. [12]
Hadestown is a musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
Hades is also a person, and he needs to get rid of those souls because he needs them to fully recover (Tantalus, Sisyphus, Ixion, and the Belides). [31] When the Furies agree to Juno's request, she happily returns to the heavens, where she is purified by Iris. [32] Orpheus travels out of the Underworld followed by the shade of his wife, Eurydice
Mar. 12—The Orpheus Music Project says singing is medicine, so a collaboration with health care provider Minnesota Community Care for its virtual vocal concert on March 21 seems a good fit.
Orfeo (Orpheus) Rosa del ciel, vita del mondo ("Rose of the heavens, life of the earth") Euridice (Eurydice) Io non diro qual sia neltuo gioir ("I cannot say how great my bliss is.") Followed by a reprise of choruses:; "Lasciate i monti" and ritornello; "Vieni, Imeneo" and ritornello