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Coughlan, Hastings and the two Sinclairs subsequently formed Caravan in 1968. "We all had the same goal" recalled Richard Sinclair, "to make our music, write it ourselves, and make a living from it." [5] The band rented a house in Whitstable, Kent for six months, where they began to write and rehearse new material. [6]
The musicians were members of the Duke Ellington Orchestra, which often split into smaller combinations to record songs under different band names. For this recording, which included Ellington and Tizol as performers, the session band leader was Bigard. As of 2024 this is the most covered song in history, with over 500 versions published. [2]
The Beta Band; The Big Chris Barber Band; The Big Pink; The Black Crowes with Stereophonics; The Black Dyke Mills Band; The Black Eyed Peas; The Black Keys; The Blind Boys of Alabama; The Blockheads with Robbie Williams and Suggs; The Blue Nile; The Bluetones; The Boo Radleys; The Brand New Heavies; The Bravery; The Burns Unit; The Cardigans ...
The song's name is often shortened to "Ghost of a Chance". [63] "It Don't Mean a Thing (If It Ain't Got That Swing)" [4] [10] [64] [65] is a jazz song that singer Ivie Anderson introduced with the Duke Ellington Band. The lyrics for the Ellington composition were written by Irving Mills. The same year, a rendition by the Mills Brothers rose to ...
A list of musical groups and artists who were active in the 1960s and associated with music in the decade This is a dynamic list and may never be able to satisfy particular standards for completeness.
Nick Massi (The Hollywood Playboys, among others [2] [3]) replaced Calello from late 1960 to September 1965.; Several studio albums and over 100 singles.Originally assembled from various New Jersey club groups, over the years, other notable names, including Don Ciccone (The Critters), John Paiva (The Happenings), Jerry Corbetta and session keyboardist Robby Robinson came and went as performers ...
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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.