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Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work. Manufacturers in the United States used the drawings and ideas in the book to create mass-produced Eastlake Style or Cottage ...
An Artful Arrangement. A grouping of art in various sizes is hung around a mirror against blue lacquered walls and atop a regal red silk velvet sofa (fabric, Vervain) in Bunny Mellon's Virginia ...
Trunks were generally constructed with a base trunk box made of pine which was then covered with protective and decorative materials. Some of the earliest trunks are covered with studded hide or leather and look much like the furniture of the same period (which makes sense as trunk manufacturing was sometimes an offshoot of a furniture business.)
This type of trunk first appeared around 1839. In some historical documents of the time it is referred to as a “railway basket” due to its wicker structure. [2] Modeled on the style of English chests – which explains its more common name "the English trunk" – it is made up of a wicker frame covered first in leather then potentially a canvas making it waterproof.
Many converts, both from professional artists' ranks and from among the intellectual class as a whole, helped spread the ideas of the movement. [5] The influence of the Arts and Crafts movement led to the decorative arts being given a greater appreciation and status in society and this was soon reflected by changes in the law.
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.
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