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The style was named, together with the Stick Style, by Yale University architectural historian Vincent Scully in his 1949 doctoral dissertation The Cottage Style. This was followed by several magazine articles on the subject, culminating in Scully's The Shingle Style with the Stick Style in 1971 and The Shingle Style Today in 1974. [3]
Like a balloon, the Shingle style exterior was all taut and tensioned to hold the interior space in place. The Shingle style fell out of favor at the turn of the 20th century when the Colonial ...
The central feature of the Second Empire architectural style is the mansard roof, a four-sided gambrel roof with a shallow or flat top usually pierced by dormer windows, and usually covered by shingles or stone slate wedges.
The oldest surviving framed house in North America, the Fairbanks House, has an ell with a gambrel roof, but this roof was a later addition. Claims to the origin of the gambrel roof form in North America include: Indigenous tribes of the Pacific Northwest, the Coast Salish, used gambrel roof form (Suttle & Lane (1990), p. 491). [10]
Bonnet roof: A reversed gambrel or Mansard roof with the lower portion at a lower pitch than the upper portion. Monitor roof: A roof with a monitor; 'a raised structure running part or all of the way along the ridge of a double-pitched roof, with its own roof running parallel with the main roof.'
Used for its modern meaning of "gambrel-roofed house", the term does not reflect the fact that housing styles in Dutch-founded communities in New York evolved over time. In the Hudson Valley, for example, the use of brick, or brick and stone is perhaps more characteristic of Dutch Colonial houses than is their use of a gambrel roof.
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