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Betrothal in a Monastery, opera in 4 acts 1940–41 87 Cinderella, ballet in 3 acts 1940–44 88 Symphonic March, for orchestra 1941 89 Seven Songs and a March, for choir and piano 1941–42 89bis March in A-flat major, for band ?1941 90 The Year 1941, orchestral suite 1941 91 War and Peace (after Tolstoy), opera in 13 scenes
Composer Reinhold Glière, Prokofiev's first composition teacher. Prokofiev was born in 1891 in a rural estate in Sontsovka, Bakhmut uezd, Yekaterinoslav Governorate, Russian Empire (now known as Sontsivka, Pokrovsk Raion, Donetsk Oblast, Ukraine). [11] His father, Sergei Alekseyevich Prokofiev, was an agronomist from a mercantile family in Moscow.
Sergei Prokofiev. Piano Concerto No. 1 in D-flat, Op. 10 (1912) Piano Concerto No. 2 in G minor, Op. 16 (1913, rewritten 1923) Piano Concerto No. 3 in C, Op. 26 (1917–21), his best known; Piano Concerto No. 4 in B-flat, Op. 53 (1931), for the left hand (written for Paul Wittgenstein) Piano Concerto No. 5 in G, Op. 55 (1932)
Compositions by Sergei Prokofiev published posthumously (7 P) Concertos by Sergei Prokofiev (1 C, 5 P) F. Films scored by Sergei Prokofiev (8 P) O.
Sergei Prokofiev's Symphony No. 4 is actually two works, ... (to G-flat major at one point). The second subject is newly composed for the symphony, and is a minor ...
Sergei Prokofiev's Piano Concerto No. 4 in B-flat major for the left hand, Op. 53, was commissioned by the one-armed pianist Paul Wittgenstein and completed in 1931.. It was the only one of Prokofiev's complete piano concertos that never saw a performance during his lifetime.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The track "The Enemy God Dances with the Black Spirits" on Works Volume 1 by progressive rock group Emerson, Lake & Palmer is an arrangement of the second movement. The San Francisco Symphony Orchestra, conducted by Michael Tilson Thomas, performed the piece during Metallica's S&M2 concerts at Chase Center, San Francisco on September 6 and 8, 2019.