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"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs.Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his ...
Border Lord was released in February 1972 but failed to achieve the success its predecessors had. At the time of its release, Ben Gerson of Rolling Stone was unkind, charging that Kristofferson was “a fast-livin’, hard lovin’ dude who has just enough time between ballin’ and brawlin’ to jot down a tune or two.
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Songs of Kristofferson is a best-of compilation album by Kris Kristofferson, released in 1977, after he had become more well known as a movie star than as a singer-songwriter. It includes tracks from his albums Kristofferson , The Silver Tongued Devil and I , Jesus Was a Capricorn , Who's to Bless and Who's to Blame and Surreal Thing .
Kris Kristofferson, the beloved actor and country music singer-songwriter, died at home in Maui on Sept. 28 Rick Diamond/Getty Kris Kristofferson, the renowned actor and country singer-songwriter ...
Kristoffer Kristofferson (June 22, 1936 – September 28, 2024) was an American singer, songwriter, and actor. He was a pioneering figure in the outlaw country movement of the 1970s, moving away from the polished Nashville sound and toward a more raw, introspective style.
Anderle cut the number of musicians so that there was a smaller palette of sounds, and Mike Utley once more made a major contribution to the overall sound and feel, predominantly laid-back and down-tempo, as did Jerry McGee with some tasteful guitar and dobro. [5] As Streissguth writes: