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Simulate a table header cell split diagonally Template parameters [Edit template data] Parameter Description Type Status Rows 1 header of row headers, shown on the bottom left Example ''Y-axis'' String required Columns 2 header of column headers, shown on the top right Example {{color|#6cf|X-axis}} String required Background colour 3 Optional colour of background, use <code>transparent</code ...
Cut cells into parts: Instead of trying to make a super-cell that spans rows/columns, split it into smaller cells while leaving some cells intentionally empty. Use a non-breaking space with or {} in empty cells to maintain the table structure. Custom CSS styling: Override the wikitable class defaults by explicitly specifying:
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
For more complex table structures, Visual editor offers cell-merging operations; see details here.. In addition, it is usually possible to add or import a table that exists elsewhere (e.g., in a spreadsheet, on another website) directly into the visual editor by:
Included are the IPA tone marks, and modifiers for aspiration and palatalization. The word spacing indicates that these characters occupy their own horizontal space within a line of text. Its block name in Unicode 1.0 was simply Modifier Letters .
In Mandarin, the numeral "one", originally in tone 1, is pronounced in tone 4 if followed by a classifier in tone 1, 2, or 3. It is pronounced in tone 2 if the classifier has tone 4. In Taiwanese tone sandhi, tone 1 is pronounced as tone 7 if followed by another syllable in a polysyllabic word. Some romanization schemes, like Jyutping, use tone ...
Twelve-tone equal temperament (12 TET) is obtained by making all semitones the same size, with each equal to one-twelfth of an octave; i.e. with ratios 12 √ 2 : 1. Relative to Pythagorean tuning , it narrows the perfect fifths by about 2 cents or 1 / 12 th of a Pythagorean comma to give a frequency ratio of 2 7 / 12 : 1 {\displaystyle ...
Split tones are a multiphonic effect on brass instruments. During normal play, the upper and lower lips will vibrate together at the same speed. If, however, the lips are set to vibrate at different speeds, two pitches may be perceived. When not done intentionally, split tones are referred to pejoratively as "double buzzing".