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The psychology of film is a sub-field of the psychology of art that studies the characteristics of film and its production in relation to perception, cognition, narrative understanding, and emotion. [1]
Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing.One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes.
The comedy Scary Movie, released by Dimension Films, at the time a division of The Walt Disney Company, contained "strong crude sexual humor, language, drug use and violence," including images of ejaculation, fellatio and an erect penis, but was rated R, to the surprise of many reviewers and audiences; by comparison, the comparatively tame porn ...
The Movie and Television Review and Classification Board (Filipino: Lupon sa Rebyu at Klasipikasyon ng Pelikula at Telebisyon; [1] abbreviated as MTRCB) is a Filipino government agency under the Office of the President of the Philippines that is responsible for the classification and review of television programs, motion pictures and home videos.
A list of motion pictures related by some criteria, e.g. the list of films a certain actor has appeared in, or that a certain director has directed. filter fine cut fisheye lens flashback flashforward flicker fusion threshold floodlight focal length focus focus puller Foley artist follow focus follow shot followspot light forced perspective
In the early 1970s, Christian Metz and Laura Mulvey separately explored aspects of the "gaze" in the cinema, Metz stressing the viewer's identification with the camera's vision, [8] - an identification largely "constructed" by the film itself [9] - and Mulvey the fetishistic aspects of (especially) the male viewer's regard for the onscreen female body.
Movie Review Intelligence gave every movie an average score, by counting the ratings, grades or stars each reviewer gives a movie, and assigning a grade to those reviews which do not include a numerical value. The site also weighted each review based on the circulation the review received. Other websites use different criteria to measure ...