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Biggest box-office bombs [ edit ] The following is a partial list of films that lost the most money, based on documented losses or estimated by expert analysis of various financial factors such as the production budget, marketing and distribution costs, gross box-office receipts and other ancillary revenues.
Some movies are a smash success, earning critical acclaim and serious cash at the box office. However, others turn into epic box-office flops that tarnish the reputation of the cast and crew and ...
Michael Cimino’s ambitious epic is notable for being one of the biggest box office bombs of its time, losing studio United Artists an estimated $37m (£27.7m) – which is over $114m (£85.5m ...
Related: The Biggest Box Office Bombs of the Past Decade. Many of these films became cult classics, meaning the critics were right all along, but that doesn’t change the fact that the films ...
A box-office bomb [a] is a film that is unprofitable or considered highly unsuccessful during its theatrical run. Although any film for which the combined production budget, marketing, and distribution costs exceed the revenue after release has technically "bombed", the term is more frequently used for major studio releases that were highly anticipated, extensively marketed, and expensive to ...
The film is considered one of the biggest box office flops, with a £100 million budget, costing $20 million in marketing, and grossing only around $7.1 million, and it is panned by critics and audiences alike. Most of the negative opinions of the movie are based on the acting and dialogue, its lack of humor and the crude special effects.
These box-office flops lost an impressive amount of money. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290-4726 more ways to reach us ...
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...