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Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...
Like F-sharp major, G-flat major is rarely chosen as the main key for orchestral works. It is more often used as a main key for piano works, such as the impromptus of Chopin and Schubert . It is the predominant key of Maurice Ravel 's Introduction and Allegro for harp, flute, clarinet and string quartet , and is also used in the second movement ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
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1 sharp 11 F major: 1 flat 12 F minor: 4 flats 13 Either F# major: 6 sharps F# major was the choice of Bach, Hummel, Chopin, Heller, Busoni, Lyapunov, Arensky, Blumenfeld, Ponce, Shostakovich, Cui and Glière. G♭ major was preferred by Alkan, Rachmaninoff, Scriabin, Shchedrin, Stanford and Winding. or G♭ major: 6 flats 14 F# minor: 3 sharps ...