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Sonata for Flute and Piano (1936) Sonata for Oboe and Piano (1938) Sonata for English Horn and Piano (1941) Sonata for Clarinet and Piano (1939) Sonata for Bassoon and Piano (1938) Horn Sonata for French Horn and Piano (1939) Sonata for Four Horns (1952) Alto Horn Sonata (also for Horn or Alto Saxophone) (1943) Sonata for Trumpet and Piano (1939)
Paul Hindemith (/ ˈ p aʊ l ˈ h ɪ n d ə m ɪ t / POWL HIN-də-mit; German: [ˌpaʊ̯l ˈhɪndəmɪt] ⓘ; 16 November 1895 – 28 December 1963) was a German and American composer, music theorist, teacher, violist and conductor.
Opening (Play ⓘ) and second to last (Play ⓘ) measures of the piece.From the first and final movements, respectively. Ludus Tonalis ("Play of Tones", "Tonal Game", or "Tonal Primary School" after the Latin Ludus Litterarius), subtitled Kontrapunktische, tonale, und Klaviertechnische Übungen (Counterpoint, tonal and technical studies for the piano), is a piano work by Paul Hindemith that ...
Hindemith composed the work for the Frankfurter Bläser-Kammermusikvereinigung (Frankfurt Wind Chamber Music Association), one of the first wind ensembles in Germany, and dedicated it to them. [ 10 ] [ 11 ] He took some material from the earlier work, Kammermusik No. 1, compared to which this was named Kleine . [ 10 ]
Piano Sonata No. 1 in A major is the first piano sonata by German composer Paul Hindemith. It was finished in 1936 and is subtitled Der Main (translated into English as The River Main ) after a poem by Friedrich Hölderlin .
Sonata for piano four-hands (1938) Alan Hovhaness (1911–2000) Child in the Garden, Op. 168 (1958) Marie Jaëll (1846-1925) Valses pour piano á quatre mains, Op. 8 - piano four-hands Voix du Printemps - piano four-hands. György Kurtág (born 1926) Suite (1950–51) Játékok, volumes IV and VIII (1979, 2010) Constant Lambert (1905-1951)
Commercially available recordings include the piano music played by Martin Jones (Lyrita SRCD.2342, 2014), [14] the Piano Concerto No 2 and Serenade in F with Oliver Triendl and the Nürnberger Symphoniker (CPO 555245-2, 2019), [15] the Cello Concerto, played by Raphael Wallfisch, [16] and the Violin Sonata, op 20, played by Louisa Stonehill ...
Hindemith introduces a non-traditional key signature (G-sharp and F-Sharp only) that sets the music in a whole-tone mode; while the viola does occasionally play runs and phrases with half-steps, the piano persists in the figure G#-F#-E-D, over which the viola builds towards a climax in C-sharp minor, which is the first note of the third movement.
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