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Some advocates of higher criticism who espouse this view even go so far as to regard the Bible as purely a product of human invention. However, most form critics , such as Rudolf Bultmann (1884–1976) and Walter Brueggemann (1933– ), still regard the Bible as a sacred text , just not a text that communicates the unaltered word of God.
Instrumentality is the theory that through divine inspiration the scripture has two authors, God and the human author, "Thus Scripture has two authors, one divine and principal, the other human and instrumental." [3] It is through instrumentality that God has chosen specific writers to compose his message in the form of scripture. God uses man ...
Saint John's states that the purpose of The Saint John's Bible is the following: "At the onset of a new millennium, Saint John's University and the monks of Saint John's Abbey sought to ignite the spiritual imagination of people throughout the world by commissioning a work of art that illuminates the world today."
Two different models of the process of creation existed in ancient Israel. [15] In the "logos" (speech) model, God speaks and shapes unresisting dormant matter into effective existence and order (Psalm 33: "By the word of YHWH the heavens were made, and by the breath of his mouth all their hosts; he gathers up the waters like a mound, stores the Deep in vaults"); in the second, or "agon ...
Protestant imagination is dialectic and makes people pilgrims. It is deep in conflict and antagonistic to the ingredients of a common, human life. Catholic imagination is analogical. It is founded in creation itself and views creation as God in disguise. According to Catholic imagination, God lurks everywhere.
Imagination helps apply knowledge to solve problems and is fundamental to integrating experience and the learning process. [3] [4] [5] Imagination is the process of developing theories and ideas based on the functioning of the mind through a creative division.
Asimov's Guide to the Bible is a work by Isaac Asimov that was first published in two volumes in 1968 and 1969, [1] covering the Old Testament and the New Testament (including the Catholic Old Testament, or deuterocanonical, books (see Catholic Bible) and the Eastern Orthodox Old Testament books, or anagignoskomena, along with the Fourth Book of Ezra), respectively.
The Imaginary: A Phenomenological Psychology of the Imagination (French: L'Imaginaire: Psychologie phénoménologique de l'imagination), also published under the title The Psychology of the Imagination, is a 1940 book by the philosopher Jean-Paul Sartre, in which the author propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human ...
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